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Specials : See what's on at Downstage at the bottom of the page.
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Downstage is New Zealand's longest running professional theatre, having recently celebrated its
40th Birthday. An intimate theatre seating 250 and located centrally in the Courtenay Place
district, Downstage offers a wide range of theatre shows every year that appeal to a variety of
audiences.
Downstage began as an alternative theatre in 1964. When it proved impossible for national
touring companies to stay solvent, theatre practitioners who had worked with the New Zealand Players
and enjoyed a reasonable continuity of radio drama, needed a professional theatre. Something that
began small and grew out of its own community was the answer.
Another group of Wellingtonians – academics, lawyers and business people – desperate for a
richer, cultural nightlife, coalesced with the theatre people to make it happen. In form and
content, Downstage was very much a product of the 1960s social revolution.
Over its first forty years, Downstage has ‘parented' a range of related activities and been a
central support system for other theatres. It has reinvented itself at least a dozen times, in line
with the visions of new artistic directors and in response to prevailing economic imperatives, and
has come through at least two near death experiences. Mistakes have been made and learned from and
its continued survival is a testament to professionalism, good governance and the determination of
its community to keep revitalising this nucleus of Wellington cultural activity.
Downstage Upfront the theatre's history, written by John Smythe, explores the evolution
of Downstage, characterises its changing stages of life, investigates the means by which it has
managed to survive let alone succeed, and celebrates its achievements and continued existence. In
the process the book also touches on the wider context of professional theatre practice in New
Zealand and throws a special spotlight on Downstage's role in producing New Zealand plays.
The purpose of theatre in any society, and role of state-subsidised theatres in New Zealand
especially, are always matters of debate. In enquiring into the past forty years of professional
practice, Downstage Upfront answers some questions and raises more that will spark further debate.
But that's theatre.
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